76 cm wide x 101 cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R24 on front bottom left. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
A bent gray stem carries an angular, rust-colored cluster through the center of The Union of the Desire of the Heart and Reality, Conceptualized. The form seems poised between a gesture and a structure: part support, part movement, its narrow course continuing down into a pale foreground crossed by long horizontal marks.
Above it, blue shapes fan across a violet field, while a lower band of red, cream, and green breaks the horizon into uneven sections. These surrounding forms repeat the central figure's turns without simply mirroring them. Small rectangular openings bring a measured architectural rhythm into a space whose curves and tilted planes remain difficult to locate with certainty.
The title proposes a meeting between an inner wish and an external world. The painting gives that possibility a visible tension, joining the upper cluster to the ground through a support that feels both persistent and precarious. Its interest unfolds through the distance between those two regions, where a crooked line becomes the means of connection rather than an obstacle to it.
76 cm wide x 101 cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R24 on front bottom left. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
A bent gray stem carries an angular, rust-colored cluster through the center of The Union of the Desire of the Heart and Reality, Conceptualized. The form seems poised between a gesture and a structure: part support, part movement, its narrow course continuing down into a pale foreground crossed by long horizontal marks.
Above it, blue shapes fan across a violet field, while a lower band of red, cream, and green breaks the horizon into uneven sections. These surrounding forms repeat the central figure's turns without simply mirroring them. Small rectangular openings bring a measured architectural rhythm into a space whose curves and tilted planes remain difficult to locate with certainty.
The title proposes a meeting between an inner wish and an external world. The painting gives that possibility a visible tension, joining the upper cluster to the ground through a support that feels both persistent and precarious. Its interest unfolds through the distance between those two regions, where a crooked line becomes the means of connection rather than an obstacle to it.
