91 cm wide x 61cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R22 on front bottom right. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
Two pale uprights stand before a broad, divided structure in The Representatives of Time and Space. Set within a horizontal canvas, the group has a quiet, almost ceremonial balance. A narrow arch-like opening separates the larger forms at the back, letting the muted blue atmosphere enter the center of the arrangement.
The restrained palette places emphasis on proportion and distance. One foreground pillar rises higher than the other; both broaden into irregular bases that meet the gently shifting ground. Soft gray shading gives the forms volume, while dark contours hold their profiles apart. A low shape between them introduces a further interval, encouraging the eye to move into the scene rather than stop at its front edge.
Time is not pictured as a clock, nor space as a measured plan. The title instead invites these presences to be considered in relation to one another: near and far, taller and shorter, separate and connected. Within the God and Man collection, this painting offers a notably spare architectural meditation, where a limited group of forms creates a spacious field for attention.
91 cm wide x 61cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R22 on front bottom right. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
Two pale uprights stand before a broad, divided structure in The Representatives of Time and Space. Set within a horizontal canvas, the group has a quiet, almost ceremonial balance. A narrow arch-like opening separates the larger forms at the back, letting the muted blue atmosphere enter the center of the arrangement.
The restrained palette places emphasis on proportion and distance. One foreground pillar rises higher than the other; both broaden into irregular bases that meet the gently shifting ground. Soft gray shading gives the forms volume, while dark contours hold their profiles apart. A low shape between them introduces a further interval, encouraging the eye to move into the scene rather than stop at its front edge.
Time is not pictured as a clock, nor space as a measured plan. The title instead invites these presences to be considered in relation to one another: near and far, taller and shorter, separate and connected. Within the God and Man collection, this painting offers a notably spare architectural meditation, where a limited group of forms creates a spacious field for attention.
