Oil on Canvas
61 cm wide x 92 cm high
PROVENANCE: On hand at artist’s studio. Signed R23 on front bottom right. Artists seal and Certificate of Authenticity in Sleeve on back.
An angular orange form rises above a long architectural boundary in The Beauty of Love Metamorphizing into this Dimension, Suddenly Realizing we Have Walls Here. Below it, ochre passages sweep through the foreground; above it, pale blue planes overlap across an unsettled sky. The scene feels expansive, yet its rails, platforms, and edges continually interrupt the possibility of open movement.
The elevated horizontal structure gives the painting a strong measure of distance. Its repeated compartments lead the eye across the canvas, while the more loosely handled ground turns in a different direction. A small, open rectangular form at the right sharpens this contrast between a place that appears to welcome entry and one that remains difficult to navigate.
The unusually searching title allows the architecture to be approached as an emotional condition. Love entering a world of boundaries is not resolved into a simple symbol; it remains a question carried by the painting's spaces. Warm, active surfaces and cool, broken expanses offer different kinds of freedom, encouraging the viewer to consider how an imagined openness changes when it takes visible form.
Oil on Canvas
61 cm wide x 92 cm high
PROVENANCE: On hand at artist’s studio. Signed R23 on front bottom right. Artists seal and Certificate of Authenticity in Sleeve on back.
An angular orange form rises above a long architectural boundary in The Beauty of Love Metamorphizing into this Dimension, Suddenly Realizing we Have Walls Here. Below it, ochre passages sweep through the foreground; above it, pale blue planes overlap across an unsettled sky. The scene feels expansive, yet its rails, platforms, and edges continually interrupt the possibility of open movement.
The elevated horizontal structure gives the painting a strong measure of distance. Its repeated compartments lead the eye across the canvas, while the more loosely handled ground turns in a different direction. A small, open rectangular form at the right sharpens this contrast between a place that appears to welcome entry and one that remains difficult to navigate.
The unusually searching title allows the architecture to be approached as an emotional condition. Love entering a world of boundaries is not resolved into a simple symbol; it remains a question carried by the painting's spaces. Warm, active surfaces and cool, broken expanses offer different kinds of freedom, encouraging the viewer to consider how an imagined openness changes when it takes visible form.
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