91 cm wide x 51 cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R01 on front bottom left. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
Blue and ochre currents spread across a wide field beneath a pale, angular construction. The lower passages flow like reflections, while the upper forms appear assembled from transparent planes and fractured architectural outlines. A thin sweeping curve crosses the color, and a narrow upright near the right of center interrupts its movement. The scene holds fluidity and structure in an uneasy equilibrium.
The Subsequent Existence of Alternate Realities, or Truth Realized brings different visual systems into the same space. Open areas of cream let fine lines remain exposed; denser blue marks introduce another level of depth. The faceted form above can resemble a bridge, a vessel, or a folded framework, but it never quite explains the territory beneath it. The eye moves between these possibilities, finding connections that shift as attention changes.
Rather than providing a single vantage point, the composition makes room for incompatible readings to coexist. What first appears to be a horizon becomes a boundary within an abstract arrangement; what seems solid is crossed by lines that suggest transparency. The contrast of saturated blue with golden earth tones keeps this uncertainty vivid and immediate. Its interest for a considered collection lies in that active relationship with the viewer: the painting can be revisited as a landscape, a spatial proposition, or a meditation on the fragile moment when perception becomes conviction.
91 cm wide x 51 cm tall
Oil on Canvas
PROVENANCE: On hand at artist’s studio. Signed R01 on front bottom left. Artists seal and Certificate of Authenticity in Sleeve on back. See Description below for more
Blue and ochre currents spread across a wide field beneath a pale, angular construction. The lower passages flow like reflections, while the upper forms appear assembled from transparent planes and fractured architectural outlines. A thin sweeping curve crosses the color, and a narrow upright near the right of center interrupts its movement. The scene holds fluidity and structure in an uneasy equilibrium.
The Subsequent Existence of Alternate Realities, or Truth Realized brings different visual systems into the same space. Open areas of cream let fine lines remain exposed; denser blue marks introduce another level of depth. The faceted form above can resemble a bridge, a vessel, or a folded framework, but it never quite explains the territory beneath it. The eye moves between these possibilities, finding connections that shift as attention changes.
Rather than providing a single vantage point, the composition makes room for incompatible readings to coexist. What first appears to be a horizon becomes a boundary within an abstract arrangement; what seems solid is crossed by lines that suggest transparency. The contrast of saturated blue with golden earth tones keeps this uncertainty vivid and immediate. Its interest for a considered collection lies in that active relationship with the viewer: the painting can be revisited as a landscape, a spatial proposition, or a meditation on the fragile moment when perception becomes conviction.
